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From antiquity through our own day, writers have used their craft to try to imagine perfect, or at least vastly improved, human societies. Utopian literature spans broad forms: cloud cuckoo land visions of prosperity and abundance, detailed plans for the governments of the future, and ambiguous auguries combining utopia with its opposite: dystopia. Imagining better worlds is a heterogenous and ancient tradition, but beginning in the late 19th century, writers like H. G. Wells and Charlotte Perkins Gilman began to suspect that a perfect future was inseparable from a united one: ending hardship depended on bringing all people into a shared way of life and belief. But do utopian demands for consensus threaten the freedom to live as one chooses? Can utopia coexist with diversity? In this course, we will read from a broad range of prose utopias from the 19th century to the present, including Kang Youwei’s Datong Shu (1884), Edward Bellamy’s Looking Backward (1886), George Schuyler’s Black Empire (1938), and Ursula Le Guin’s The Dispossessed (1974). Students in this course will develop a familiarity with a range of themes and conflicts that characterize utopian writing, and craft their own written reflections that consider the tensions between utopian visions of the future and the people those visions may exclude, marginalize, or assimilate.