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This seminar presents a transnational history of Latin American cinema from the 1960s to the present, with a special regard to its global influence. Starting with the Cuban Revolution and the subsequent founding of its film institute ICAIC, we'll examine how politics and aesthetics shape each other. We'll discuss the manifestos and films of the so-called New Latin American Cinema, including Tercer Cine, Cine Imperfecto, and Cinema Novo; the filmography made during the continent's various dictatorships; and post-dictatorship debates on memory. We'll also engage with a recent theoretical and cinematic production on gender, sexuality, the non-human, and new cinematic postcolonial approaches. (If AS.210.311 has not been taken, student may submit an SPE score:https://krieger.jhu.edu/modern-languages-literatures/spanish-and-portuguese/undergraduate/get-started/)