3.0

Average Course Rating

This introductory course will explore the intersections between literary texts, scientific discoveries, and art. We will study Geometry, Calculus, Probability Theory, Philosophy, Cognitive Science, Physics, Medicine, and Ecology in Russian Literature. We will read novels, poems, and plays by Goethe, Dostoevsky, Tolstoy, Chekhov, Akhmatova, and Nabokov, among others, with relevant chapters from Hegel, Literature, and the Problem of Agency by Allen Speight; The Mathematical Mind of F. M. Dostoevsky: Imaginary Numbers, Non-Euclidean Geometry, and Infinity by Michael Marsh-Soloway; Russian Literature and Cognitive Science edited by Tom Dolack, “which applies the newest insights from cognitive psychology to the study of Russian literature;” Medical Storyworlds: Health, Illness, and Bodies in Russian and European Literature at the Turn of the Twentieth Century by Elena Fratto; Jeff Love’s studies on Tolstoy’s use of calculus for the development of his philosophy of history, “Tolstoy’s Integration Metaphor from War and Peace” by Stephen T. Ahearn as well as other scientific studies that engage with literature such as Yuri Manin’s Mathematics as Metaphor, Sarah Hart’s Once Upon a Prime: The Wondrous Connections Between Mathematics and Literature, and Carlo Rovelli’s Seven Brief Lessons in Physics. In addition to the reading materials, assignments will include expository writings as well as philosophical games and illustrations of the connections between science and art, mind and matter. We will also have guest lecturers from the departments of philosophy, mathematics, and cognitive science as we consider philosophy as science and science as art and explore multidisciplinarity and the many ways in which sciences can transform our understanding of art and literature and vice versa. No prerequisites either in humanities or sciences.