2.0

credits

Average Course Rating

Participants in this performance seminar will prepare and present representative oratorio repertoire from the 18th century to the present. Students will acquire an understanding of the breadth of styles in this body of repertoire and will complete the course with a list of works of practical value for themselves in the future. The term “oratorio” will be considered broadly, and may include symphonies with voice (e.g. Beethoven 9 and Mahler 2 & 4) but not concert works for solo voice (e.g. Mahler Des Knaben Wunderhorn and Ravel Shéhérezade).